I think one of the oddest things about knitting world has got to be the strange way we experience it as a form of time. Like, “Oh sure I can get that sweater done in two weeks to wear for my birthday party.” Or “Christmas Day is technically only 6 hours away, that’s lots of time to finish this pair of gloves I’ve hardly started. No worries.” Or the fact that sitting on a train for an hour a day each way on my commute isn’t as big a deal because it’s knitting time, as opposed to just “geez why am I not home already I am so tired” kind of time.
When you add knitting design in there it gets even more bizarre. Sometimes I work on something for self-publication and can have something turned around in exactly whatever amount of time I feel like it, and then if I’m working on something for another publication I could be rushing to get it done in less than a month. The next part is that sometimes, depending on the publication, this could bear no clear relationship whatsoever to when the final pattern sees the light of day. As a designer you roll with it, though, because otherwise we’d just never get anything done.
Anyway, this is all a long way of saying that a sweater I actually knitted 2 years ago was formally published 2 months ago, and finally my brain has sorted itself out long enough to tell you about it. (And get some photos. I can’t bear myself to announce anything knitted without getting photos of it).
A couple of years ago my friend Tanis asked me if I would contribute a sweater to her book Knitting Architecture, and it was so delightful a concept that I couldn’t possibly turn that down. It’s a book of women’s sweater and accessory patterns all based on key examples of architectural & design style. Mine was ‘art nouveau’, and the result was this cardigan, named for Alphonse Mucha, a famous artist and all around art nouveau dude.
It’s a modified-drop-shoulder, kimono-style cardigan meant to be quite loose, drapey, and comfortable, and uses a combination of dynamic cables and textural stitches to evoke the same kind of organic lines that art nouveau was famous for. My original sample was a bit smaller than what I would normally wear for myself, and since my ‘auntie’ Patricia not only is the right size for it but also is a lover of all things art nouveau and deco, I knew the sweater definitely had to go to live with her. After I got it back this fall I went over to her place to grab a few photographs of her in it and the handoff was made.
The cardigan is knitted in 4 pieces from the bottom up, and then seamed. It’s in worsted weight using Berroco Ultra Alpaca, one of my favourite yarns and a lovely blend of wool and alpaca. Perfect choice for this kind of project. It was a delightful book to be a part of and a great collection of designs to boot. And I’m glad to finally share it with you!
Happy knitting this weekend!